These different pages offer relatively deep control over each aspect of a post-production workflow without the need to jump between programs to access them. In addition to its Edit and Color pages, Davinci Resolve contains its own version of Adobe After Effects and Audition within its walls (the Fusion and Fairlight tabs, respectively). At that point, Blackmagic’s flagship software had too many robust offerings to ignore. So, when Resolve 16 unveiled an overhauled editing page in 2019, I jumped ship on Adobe. I wanted color flexibility that was not present in Premiere, but an XML workflow seemed daunting at the time and Resolve’s Edit page was still lackluster. If I had anything less than 10-bit footage, I might as well have baked in a compressed look from the start. The toolset felt limited, like a tacked-on effect instead of a dedicated tool for bringing footage to life. 709 conversions, then spending hours on building a look, only to be left disappointed by the results. I was tired of relying on LUT packages for my Rec. Premiere Pro had always left something to be desired over color control. Like most, I was first drawn to Resolve for its color suite. Secondly, maybe some of you have spare licenses left from buying Blackmagic's gear when you already had the Studio version.I made the switch from Premiere Pro to Davinci Resolve Studio four years ago, and I (mostly) regret nothing.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |